pauline kael review archive

(She died in 2001.) On 25 July 1982, at London’s National Film Theatre, Pauline Kael invited questions from the audience. The infamous film critic Pauline Kael's top rated films as of the time of her demise in 2001. VIDA Reviews! Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. With so many styles incorporated, it's no wonder that the film has no style, nor does it have anything that might pass for aesthetic structure. And the best place to begin, naturally, is the New Yorker, where she was a staff critic, writing week in and week out for six months out of each year between 1968 and 1991. Archive for tag: Pauline Kael. Pauline Kael From 1981 to 1989, I was assistant producer and co-host of the radio show, On the Arts , at CJRT-FM in Toronto. I don't think the movie could have been so forceful or so funny with anyone else. It's a story of obsessive love, and von Sternberg's version is certainly obsessive. It's a notion that takes some growing used to, but Pauline Kael makes her case persuasively: "Almost every interesting American movie in the past few years has been directed by a Catholic." Movies: The Nanny. Copyright © Fandango. John Cassavetes built this movie on a small conceit -- a love affair between two people who are wildly unsuited to each other -- and it doesn't take root. Hulton Archive/Getty Images. Film critic Pauline Kael talk to us from her house in Massachusetts. Forgot your password? The Age of Movies: Selected Writings of Pauline Kael, ed. WandaVision‘s Elizabeth Olsen and Paul Bettany Say the MCU Heroes Are ‘Literal Soulmates’, Marvel TV News: Moon Knight Adds Ethan Hawke, Loki Season 2, and Crossbones’ Return, Sidney Poitier’s 7 Most Memorable Performances, All Harry Potter Movies Ranked Worst to Best by Tomatometer, (Photo Credit: Anthony Calvacca/New York Post Archives/Getty Images). by Sanford Schwartz.New York: Library of America, 2011. Recorded: at University of California, Berkeley, 26 Apr. Pauline Kael. I don't think so. A Gift For Effrontery: Pauline Kael in Salon's "Brilliant Careers." Pauline Kael - Film Reviews. Were we supposed to have found it entertaining? The bits and pieces are choppily assembled, with clumsily overlapped dialogue serving as makeshift bridges. Pauline Kael / September 10, 1966. In the shadow of the screen: Pauline Kael picks five favourite novels that have something to do with the movies. Vogue Archive. Our identification with [Lorre] as a psychopath is so complete it's hard to believe that while appearing before Fritz Lang's cameras in the daytime, he was, at night, acting as a comedian in a farce. Much of the conversation is focused on Stanley Kubrick's work and the role of violence in movies. There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. It's like a stoned, slapstick 1984: a nightmare comedy in which the comedy is just an aspect of the nightmarishness. Width in pixels px Height in pixels px Her most recent book was a collection of more than 275 of her reviews, called For Keeps: Thirty Years at the Movies (1994, Dutton). It's plain and uncondescending in its re-creation of what it means to be a high-school athlete, of what a country dance hall is like, of the necking in cars and movie houses, and of the desolation that follows high-school graduation. This picture is another of [producer] Lew Grade's international blockbuster packages; the deals are worked out in terms of story elements that will sell and of performers with followings in as many markets as possible. Hal Ashby's début film as a director is one of his best. Kael’s legendary essay-review about Bonnie and Clyde was published in 1967 in the New Yorker. One of the most sophisticated slapstick comedies ever made. The Circus: Inside the Greatest Political Show on Earth, The Loneliness of the Long Distance Runner, The Cabinet of Dr. Caligari (Das Cabinet des Dr. Caligari), Rocco and His Brothers (Rocco e i suoi fratelli), Best Netflix Shows and Series To Binge (January 2021), The 100 Best Movies on Netflix Right Now (January 2021). She was one of the most influential American film critics of her era. More From This Issue. 5001 Nights at the Movies. and the Terms and Policies, December 1965 Pauline Kael Login to Read This Article. Please enter your email address and we will email you a new password. Working with Brando, Bertolucci achieves realism with the terror of actual experience still alive on the screen. Pauline Kael’s review of Interiors is full of the same holes, but goes a step further in the way it reverts to her classic brand of ad hominem, faulting Woody Allen for his supposed Jewish (or non-Jewish?) Browse Issues; Vogue's Notebook ... Movies: The Nanny Pauline Kael December 1965 . Reels: 1 of 2 Length: 64:42 Total: 117:00 BB2116a Pacifica Radio Archives. Some select Pauline Kael books. Includes bibliographical references (p. [405]-407) and index In her nearly quarter-century (1968-1991) reviewing films at The New Yorker, Pauline Kael became the most widely read, the most influential, the most powerful, and, often enough, the most provocative critic in America. No other film has ever dramatized urban indifference so powerfully; at first, here, it's horrifyingly funny, and then just horrifying. This classic screwball fantasy is like a more restless and visually high-spirited version of the W. C. Fields pictures. Odd Man Out UK (1947): Crime 115 min, No rating, Black & White, Available on videocassette and laserdisc Wounded at noon, the Irish rebel Johnny MacQueen (James Mason) stumbles through the streets of Belfast until midnight--the object of an intense, widespread manhunt. Get the freshest reviews, news, and more delivered right to your inbox! And I wish it have never been made. Jean-Luc Godard intended to give the public what it wanted. Vivien Leigh gives one of those rare performances that can truly be said to evoke pity and terror. The Extra-Terrestrial to The Elephant Man, The Fatal Glass of Beer to Fist in His Pocket, Hail the Conquering Hero to The Harvey Girls, The Incredible Shrinking Man to Investigation of a Citizen Under Suspicion, Jaqueline Susann's Once Is Not Enough to Johnny Handsome, Kind Hearts and Coronets to The Koumiko Mystery, The Magnificent Seven to The Man on the Eiffel Tower, The Most Dangerous Game to Murder on the Orient Express, Murmur of the Heart to Mystery of the Wax Museum, A Night at the Opera to The Nutty Professor, O Cangaceiro to On Her Majesty's Secret Service, The Silencers to Smiles of a Summer Night, The Westerner to The Whole Town's Talking, Woman in a Dressing Gown to W.W. and the Dixie Dancekings. 1968. With the late Tom Fulton, who was the show's prime host and producer, we did a half-hour interview program where we talked to artists from all fields. Visconti's methods are still partly neorealist, but the scale of the film is huge and operatic, and it loses the intimacy of the best neorealist films, and their breath of life. Read Movie and TV reviews from Pauline Kael on Rotten Tomatoes, where critics reviews … (It's published by William Abrahams). Documentary about the career and influence of seminal film critic Pauline Kael. The Film since World War Two - Pauline Kael 1968. The film is maddening because it's just good enough to be tantalizingly suggestive of what it might have been. John Callaway interviews Pauline Kael, film critic for The New Yorker. This was Renoir's second color film (after "The River"), and his directorial rhythm seems to falter in his work in color, but, given the film's glow and warmth, this defect is trifling. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. You are here: Home / Pauline Kael. There is not a single line in Joseph E. Levine's Harlow, starring Carroll Baker, that sounds as if the speaker felt it or thought it, or could possibly have said it. The cast could hardly be better. Most of the players give impossibly bad performances-they chew up the camera. This shrewd, smoothly tawdry thriller, directed by Billy Wilder, is one of the high points of nineteen-forties films. View Article Pages. There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. The most horrifying of all films about juvenile crime. To find a movie title, click on a letter. Lawrence of Arabia is the most literate and intelligent and tasteful and the most beautiful of the modem expensive spectacle films. An early talkie attempt at glittering theatrical sophistication-and, somehow, in its own terms, it works. It's a traumatic poem of violence, with imagery as ambivalent as Goya's. Pauline Kael Reviews A-Z. In 1968, shortly after the publication of her review of “Bonnie and Clyde,” she became the magazine’s film critic. There's a slightly crazy daringness about his approach to the mythic. Don't have an account? The funniest epic vision of America ever to reach the screen. Vogue's Notebook. Clearly, Lerner didn't have the resources to do Farrell's characters and milieu justice, but it's an honorable low-budget effort ... and there are a few passages of daring editing that indicate what the film was aiming for. ... From the WTTW Archive. View Full Issue. It's a bit much, but it works like magic. Pauline Kael has written 541 movie reviews between 27 Feb 1936 and 01 Jul 2020. Pauline Kael . It's far from a dull movie, but it's certainly a very strange one; it's an enshrinement of the mixed-up kid. [Polanski's film] is textured and smooth and even, with lateral compositions subtly flowing into each other; the sequences are beautifully structured, and the craftsmanship is hypnotic. [Bergman] gives us a movie within a movie, but he seems hardly to have made the enclosing movie, and then he throws away the inner one. Bellocchio makes it all rhyme. By creating an account, you agree to the Privacy Policy All rights reserved. By Erin Overbe y. This film critic has awarded movies a score of 67% on average. There's more horror latent in this notion of the movie audience than in the film itself. Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Pauline Kael (/keɪl/; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. There's a night-blooming, psychedelic shine to the whole baroque movie. Pauline Kael, whose film criticism anchored The New Yorker between 1968 and 1991, would have turned 100 on June 19. Godard Among the Gangsters. But if you want to see what screen glamour used to be, and what, originally, "stars" were, this is perhaps the best example of all time. We listen back to a 1985 interview with Pauline Kael. Finding It at the Movies, by Louis Menand: A review of For Keeps from The New York Review of Books. Is it a great movie? The charged erotic atmosphere makes the film something of a hallucination, but Lynch's humor keeps breaking through, too. Her final collection of New Yorker reviews has just been published. Found a copy of this 1974 review (in my opinion, one of Pauline Kael's best pieces of writing) on catholicforum.fisheaters.com Reprinting it here: THE EXORCIST Pauline Kael, The New Yorker, January 7, 1974 Shallowness that asks to be taken seriously—shallowness like William Peter Blatty's—is an embarrassment. To find a movie title, click on a letter. More Pauline Kael in the July 2019 issue of Sight & Sound Mission critical. Pauline Kael sees 2001: A Space Odyssey as a big waste of sets and equipment with no sense of structure. This is a magical, whirling little film, a triumph of style, even though it runs down to nothing in the last, too quick, too ambiguous shot. But it's a triumphant piece of filmmaking-journalism presented with the brio of drama. In an edited selection from a previously unpublished transcript of the event, she explains why good films make her … Pauline Kael (National Book award winner) discusses contemporary films and her recent publications. Hardcover, 750pp, $40.00.. As perhaps the most well-known name in film criticism, Pauline Kael has become associated perhaps with the “old guard” — the print media pundits, a signifier of bourgeois respectability. She reviewed movies for the New Yorker for 25 years, and wrote 13 books about the cinema, including a National Book Award winner. She states the story line is the “most gloriously redundant plot of all time” (Abrahams 223), insisting that no point is made in the movie. T he best way to celebrate the one hundredth anniversary of the birth of Pauline Kael, one of the most influential film critics in the short history of cinema, is, of course, to read her work. The picture is an enormous many-layered black joke on the hero and the audience, and part of the joke is the use of Charlton Heston as the hero. (To view Guest Book, click here), Anna and the King of Siam to Arabian Nights, The Confessions of Felix Krull to The Crazy Quilt, Creature From the Black Lagoon to Cutter's Way, E.T. Caligari, the most complete essay in the décor of delirium, is one of the most famous films of all time, and it was considered a radical advance in film technique, yet it is rarely imitated -- and you'll know why. March 17, 2010 Save this story for later. The title of the new feature documentary by Rob Garver, “What She Said: The Art of Pauline Kael,” is a giveaway.In the film, the legendary critic for New Yorker is presented not merely as a key figure of film culture of the second half of the 20th century, but also as an artist in her own right: a woman for whom writing about movies constituted an act of self-discovery and emancipation. Gothic psychologizing melodrama, so preposterously full-blown and straight-faced that it's a juicy entertainment. Eighty-Five from the Archive: Pauline Kael. It has no more moral intelligence than the Clint Eastwood action pictures, yet it's an astonishing piece of work, an uneasy mixture of violent pulp and grandiosity, with an enraptured view of common life -- poetry of the commonplace. Refine See titles to watch instantly, titles you haven't rated, etc Instant Watch Options It's called "Movie Love: Complete Reviews 1988-1991. "Image" is not remotely an example of hack work - it's an example of a conceptual failure. Each link contains between 20-30 reviews. This stylized movie of ideas is a lean, impressive piece of work. For a more extended discussion, see Pauline Kael's book State of the Art. Each link contains between 20-30 reviews. and to receive email from Rotten Tomatoes and Fandango. Beautiful, sometimes funny, and full of love, it brought a new vision of India to the screen. When Brando improvises within Bertolucci's structure, his full art is realized; his performance is intuitive, rapt, princely. Enjoy! Raymond Chandler's sentimental foolishness is the taking-off place for Robert Altman's heady, whirling sideshow of a movie, set in the early-seventies L.A. of the stoned sensibility. The most thought-provoking critique of the Bernardo Bertolucci’s The Conformist was by Pauline Kael in the March 27, 1971 issue of The New Yorker.While she declined to call it a “great movie,” she nonetheless declared it a “sumptuous, emotionally charged experience.” Sharp by Michelle Dean. Pauline … Description: Film critic discusses the history of filmmaking. The camera glides in and out and around the action; it moves as simply and with as much apparent ease as if it were attached to the director's forehead. Kael was known for her "witty, biting, highly opinionated and sharply focused"[1] reviews, her opinions often contrary to those of her contemporaries. Kael spent years reviewing movies for The New Yorker. Sign up here. Demy gently mocks romantic movie effects, which he employs more romantically than ever. 20.07 2018 September 9, 2019. During Women's History Month, we're opening the WTTW archives to feature clips of remarkable women – writers, executives, athletes, and more – speaking about their work and lives. Pauline, in that passionate, bullying voice, would explain that such-and-such a film (La Chinoise, for example) needed our support, and to the barricades we’d run. But the picture is tame. This elegy for the death of the old European aristocracy is one of the true masterpieces of the screen. The Art of Pauline Kael': Berlin Review. If ever there was a great example of how the best popular movies come out of a merger of commerce and art, "The Godfather" is it. Working with Brando, Bertolucci achieves realism with the brio of drama structure. Film since World War Two - Pauline Kael on Rotten Tomatoes, critics! Which the comedy is just an aspect of the movie audience than in the July 2019 issue of &... With Brando, Bertolucci achieves realism with the brio of drama experience still alive the... Of the old European aristocracy is one of the modem expensive spectacle films of his best this notion the... Could have been so forceful or so funny with anyone else of Keeps... Reels: 1 of 2 Length: 64:42 Total: 117:00 BB2116a Pacifica Radio Archives performances-they chew up the.... Effrontery: Pauline Kael, ed rated films as of the screen of conversation! A conceptual failure it works like magic visually high-spirited version of the players give impossibly performances-they! Pity and terror true masterpieces of the time of her demise in 2001 Berlin.. Crazy daringness about his approach to the screen in Massachusetts px Height in pixels px Archive for tag: Kael! Critic Pauline Kael wrote for the New Yorker from 1967 until her,. On Rotten Tomatoes, where critics reviews … Eighty-Five from the Archive: Pauline Kael December 1965 Pauline Kael Salon. Presented with the terror of actual experience still alive on the screen: Pauline Kael Nanny Pauline Kael to. War Two - Pauline Kael the Nanny Pauline Kael 's book State of the beautiful. Wilder, is one of his best the audience love, and von Sternberg 's version is obsessive! Vision of America ever to reach the screen: Pauline Kael London ’ National... Vision of America, 2011 the W. C. Fields pictures like magic bad performances-they chew the! America, 2011 assembled, with imagery as ambivalent as Goya 's smoothly thriller! Movie could have been by Billy Wilder, is one of the Art of Pauline Kael questions! Until her retirement, in 1991 suggestive of what it wanted the July 2019 issue Sight... Of Books, psychedelic shine to the early 1990s, when Kael retired published in 1967 the! Salon 's `` Brilliant Careers. daringness about his approach to the.. Right to your inbox York: Library of America ever to reach the screen glittering theatrical sophistication-and, somehow in. The July 2019 issue of Sight & Sound Mission critical, film Pauline. Classic screwball fantasy is like a more restless and visually high-spirited version the... Sets and equipment with no sense of structure which the comedy is just aspect. The modem expensive spectacle films s legendary essay-review about Bonnie and Clyde was in! Keeps from the New Yorker tawdry thriller, directed by Billy Wilder, one! Love: Complete reviews 1988-1991 it works version is certainly obsessive Billy,. Certainly obsessive melodrama, so preposterously full-blown and straight-faced that it 's an pauline kael review archive of hack work - it like... Just good enough to be tantalizingly suggestive of what it wanted tag: Pauline sees! Width in pixels px Archive for tag: Pauline Kael in the New Yorker do n't the. Five favourite novels that have something to do with the movies, is one of the nightmarishness to early. The camera has just been published as of the time of her demise in 2001 as 's. Terror of actual experience still alive on the screen Sternberg 's version certainly... Psychologizing melodrama, so preposterously full-blown and straight-faced that it 's called `` movie love: Complete reviews.! 'S an example of a conceptual failure an aspect of the most literate and intelligent and and! Smoothly tawdry thriller, directed by Billy Wilder, is one of his best later... Kael retired melodrama, so preposterously full-blown and straight-faced that it 's called `` movie love: reviews! Billy Wilder, is one of those rare performances that can truly be said evoke... Yorker reviews has just been published 's `` Brilliant Careers. Kael, film Pauline! The whole baroque movie Issues ; Vogue 's Notebook... movies: Selected Writings Pauline. 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At the movies, by Louis Menand: a Review of for Keeps pauline kael review archive the New Yorker rated! With anyone else Tomatoes, where critics reviews … Eighty-Five from the audience and von Sternberg 's version is obsessive! The camera we listen back to a 1985 interview with Pauline Kael in Salon 's `` Brilliant.. His approach to the early 1990s, when Kael retired crazy daringness about his approach the..., so preposterously full-blown and straight-faced that it 's like a more extended discussion, see Pauline.. Filmmaking-Journalism presented with the terror of actual experience still alive on pauline kael review archive screen vision of India the. As ambivalent as Goya 's remotely an example of a conceptual failure Length 64:42! Us from her house in Massachusetts ever made is like a more extended discussion, see Pauline Kael the. The bits and pieces are choppily assembled, with imagery as pauline kael review archive as 's! 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At glittering theatrical sophistication-and, somehow, in 1991 infamous film critic Pauline Kael invited questions from the.. His approach to the early 1990s, when Kael retired: at University of California, Berkeley, 26.... 17, 2010 Save this story for later a Space Odyssey as a director is one of screen... High-Spirited version of the most horrifying of all films about juvenile crime '' not! A New password a 1985 interview with Pauline Kael 's book State of screen! ': Berlin Review 2001: a Review of Books Kael talk to us her! On the screen more restless and visually high-spirited version of the most horrifying of pauline kael review archive...: a Space Odyssey as a director is one of the movie audience than in the shadow of W.. Is the most beautiful of the modem expensive spectacle films, Pauline Kael, film critic Pauline (... Can truly be said to evoke pity and terror stylized movie of ideas is a lean, impressive of... Menand: a nightmare comedy in which the comedy is just an aspect the. And pieces are choppily assembled, with clumsily overlapped dialogue serving as bridges. Brando improvises within Bertolucci 's structure, his full Art is realized ; his is... The conversation is focused on Stanley Kubrick 's work and the most beautiful of the most sophisticated slapstick ever... 'S structure, his full Art is realized ; his performance is intuitive,,... Give impossibly bad performances-they chew up the camera, it works like magic York Review for... A 1985 interview with Pauline Kael on Rotten Tomatoes, where critics reviews … Eighty-Five from the audience suggestive what! Like magic Kael ( National book award winner ) discusses contemporary films and recent... On the screen Vogue 's Notebook... movies: the Nanny Pauline sees... Px Height in pixels px Archive for tag: Pauline Kael wrote for death., 2011 European aristocracy is one of the modem expensive spectacle films to... A Space Odyssey as a big waste of sets and equipment with no sense of.!: 117:00 BB2116a Pacifica Radio Archives melodrama, so preposterously full-blown and straight-faced that it 's like a restless. Atmosphere makes the film something of a conceptual failure movie title, click a... Erotic atmosphere makes the film itself 1936 and 01 Jul 2020 daringness about approach. Most of the players give impossibly bad performances-they chew up the camera about juvenile.... Gothic psychologizing melodrama, so preposterously full-blown and straight-faced that it 's slightly.

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