Sporting Ray Brown-like skills and savvy as a teen, the Philly-born McBride has gone on to become a jazz ambassador both as a bandleader and as the upright bassist for everyone from Pat Metheny to Sting. Now highlight the ones who sing completely independent vocal lines and front a band while flaunting said chops on the hits. A cornerstone rock bass innovator, Casady made his sweeping melodic mark helping to create the 'San Francisco sound' with Jefferson Airplane and forming Hot Tuna with guitarist Jorma Kaukonen—recording with Hendrix in-between. The traveling show Jazz at the Philharmonic brought him in contact with Oscar Peterson in the early ’50s, and he played in the Oscar Peterson Trio from ’51–’66. If you’re Verdine White, you do it with bass lines as powerful and memorable as the songs they support. How innovative was the player’s technique, sound, and gear? He rose to stardom in 1959 with the Ornette Coleman Quartet. Mingus’ early career focused on the swing and bebop scenes of the ’40s and ’50s. BA1 1UA. As a bandleader, Chambers recorded Whims Of Chambers and Bass On Top. With calls from the Who, John Mayer, Paul Simon, and Nine Inch Nails, he has since elevated rock and singer/songwriter bass, as well. 3. After all, the bass is the soul of the band. Deacon also was a master of ballads, such as Bohemian Rhapsody and We Are the Champions. Percy’s propulsive, percussive style reached global ears via Brand X, and he has continued to innovate on numerous collaborative and solo projects. The longtime New Yorker has built a career on feel, not theory. The father of blues bass and one of its greatest composers, Dixon started at Chicago’s Chess Records in the ’40s as a bassist/producer/writer, helping to launch the careers of Muddy Waters, Howlin’ Wolf, and Buddy Guy, and playing on Chuck Berry’s Johnny B. Goode. They promise instant knowledge. A diligent and discerning advocate for the art and craft of bass playing. Brooklyn-born Patitucci remains the preeminent doubler in bassdom. 1. Whether he’s playing lines on a Chapman Stick, a tiny Guild Ashbory, or a 3-string bass, Levin’s innovations with King Crimson and Peter Gabriel have resulted in sounds never heard before. What is visual communication and why it matters; Nov. 20, 2020. When they detuned to C# on 1971’s Master of Reality, they singlehandedly forged the template of the doom/stoner metal subgenre. By Establishing himself behind James Jamerson at Motown on hits like Marvin Gaye’s Inner City Blues and Dennis Coffey’s Scorpio (boasting a 90-second bass solo), Babbitt forged his own R&B-rooted style. Pepper’s Lonely Hearts Club Band, McCartney was creating unique ear-catching statements—from the loping swingoffbeats of With a Little Help From My Friends to the loopy, sliding lick on the choruses of Lovely Rita. The Ray Brown Bass Method, first published in 1963, influenced a generation of jazz players. Look, it takes a certain type of confidence to be a bass player, right? His playing with his speed-metal outfit Motör-head taught future generations of bass players that attitude is just as important as talent. Inspired by the twangy guitars of Duane Eddy, Eddie Cochran, and the Ventures, and the featured role he had on horn, Entwistle formed a fresh approach best captured on Who songs like My Generation (with its landmark bass solo breaks), Sparks, The Real Me, and Dreaming From The Waist. In the ’70s, he worked with his group the L.A. Four, and from the mid ’80s onward with the Ray Brown Trio. Bass Player has done very few list-style issues. LaFaro reinvented rhythm-section playing when he joined the Bill Evans Trio in 1960, which explored a conversational improvisation style that set a new standard for jazz rhythm section. While we're not all bass players at Sweetwater, we all have a passion for music - and we know that your bass rig is as personal to you as your music is. East’s 26 years in Fourplay developed his singing and writing chops, leading to his acclaimed 2014 solo debut. The envelope-pushing slap-’n’-tap and effects master parlayed the freedom he was given as house bassist at rap-dawning Sugar Hill Records into the cutting-edge ambient band Tack-head. Sure, most of the magic conjured by the world’s best players is in their hands, but obviously their gear is a huge deal, too—because they’re still pretty particular about what they play. Nathan East – The Busiest Bass Player On The Planet You've heard this guy's basslines many, many times in your life even if you don't know it. The first lady of bass is a pioneering legend both as a performer and educator. A true architect of gritty tone, Watt has inspired generations of punks to come. Just as Charlie Parker and Dizzy Gillespie created bebop language on their instruments, Oscar Pettiford (1922–1960) defined bebop on bass. With early influences including Oscar Pettiford and Paul Chambers, in 1961 he made his first recording with avant-garde legend Eric Dolphy. Tomohito Aoki (RIP) was one of the bass players on the set. By ’91, Flea had emerged with a refined style, largely trading in his slapping for muscular melodic statements, such as the back-and-forth ostinato on the hit Give It Away. Tal Wilkenfeld, graduated from Los Angeles Music Academy College of Music in 2004, has gained worldwide attention because of her exclusive talent on music. Bootsy has made bass history at least three times: as a teenage sideman with James Brown on classics like Super Bad and Soul Power (1961–’71); as co-creator of immortal Parliament–Funkadelic classics such as Mothership Connection and Up For the Down Stroke (1972–’80); and as ringleader of Bootsy’s Rubber Band, whose songs like Stretchin’ Out (In a Rubber Band” catapulted Bootsy—plus his Space Bass, vocal stylings, and Hendrix-inspired effects—to Saturday-morning-cartoon superhero status. From 1986 on, he worked with Quartet West. Bass was felt more than heard in pop when Osborn—with a 1960 Fender Jazz Bass and pick in hand—innovated a melodic, legato style filled with trademark slides and upper-register phrases as a member of L.A.’s Wrecking Crew. You will learn a lot about the history of your … Using that as a springboard, Tim Bogert took a fearless approach to his high-powered support and solo styles. Rooted in classical training, Gomez’s playing is forceful, rhythmic, and melodic. Further years of perfecting his craft as a first-call session ace resulted in landmark sides with Billy Paul, Chaka Khan, Chick Corea, Steely Dan, Al Di Meola, Paul Simon, Quincy Jones, Eyewitness, Michel Camilo, Mike Stern, Wayne Krantz, Hiromi, and many more. A songwriter, session wiz, and funk bass-hero, Thunder Thumbs (1955-2015) was an intense master whose earthy, sophisticated grooves changed history, most famously with the Brothers Johnson and on Michael Jackson’s Thriller (still the best-selling album ever). Mingus had an uncanny knack for playing complicated harmonies, laced with blues. A living legend of the groove and one of the most inimitable bass stylists, Rocco has spent five decades defining fingerstyle funk via muted and ghosted 16th-notes as a member of Oakland’s iconic Tower Of Power. LaFaro reinvented rhythm-section playing when he joined the Bill Evans Trio in 1960, which explored a conversational improvisation style that set a new standard for jazz rhythm sections. When the organ broke, he switched to bass until the organ could be fixed—and then the drummer left the band. With Elton John’s wildly successful ’70s band, Murray’s smartly syncopated R&B approach first pushed the boundaries of the piano/bass/drums rock-trio format on the early album 11-17-70. And no stat could ever measure the depth and intensity of Rush’s worldwide fan family, which will most likely continue growing even though the trio has decided to stop touring. The bass half of one of Earth’s most successful production duos, Robbie Shakespeare has partnered with drummer Sly Dunbar on more than 200,000 recordings since the ’70s. Here is a list of 10 female stars who helped define rock. White’s running-start pickups and pocket-widening post-one pops are key components to the EWF sound. “PROVEIT is on the forefront of real-money skill-gaming. He found the perfect vehicle for his vision of the instrument’s expanded role in Cream, where he could improvise freely within (and beyond) the chord progressions, creating lines that linked the blues-inflected guitar of Eric Clapton with the jazz-inspired drumming of Ginger Baker. As part of one of the most iconic stadium rock bands ever, John Deacon also wrote some of the most memorable bass lines of all time. Perhaps nothing captures his joyous strangeness better than the cult-favorite collaboration Dali’s Car (1984)—with songs like the title track, you might swear that Karn learned to play on another planet. Tomohito Aoki (RIP) was one of the bass players on the set. The raucous results influenced countless bassists, including Jeff Berlin and Billy Sheehan. His early-’70s move to Los Angeles at the behest of Quincy Jones resulted in more seminal sides with Steely Dan (Kid Charlemange, Aja), Marvin Gaye, and the Jackson 5. The most impressive numbers, however, are related to Geddy’s multi-tasking chops: His ability to trigger samples, play keys, step on bass pedals, and sing vocal parts in odd time signatures while nailing Rush’s complex yet catchy bass lines will always be mind-blowing. In his brief tenure with Evans, LaFaro recorded several classic albums, including Portrait in Jazz, The 1960 Birdland Sessions, Explorations, Sunday at the Village Vanguard, and Waltz for Debby. His hundreds of sessions in Philadelphia, New York, and Nashville include Gladys Knight’s Midnight Train to Georgia and Robert Palmer’s Every Kinda People. What is their impact on the role of the bass? Tal Wilkenfeld – Jazz Relax. 1. But hopefully we will all rise like phoenixes from the ashes“, Timothy B. Schmit: “I didn’t peak in my 20s or 30s, like a lot of songwriters do. They help us remember things. His precise thumb, fingerstyle chops, fluid harmonics, soulful chords, and beat-up ’61 Jazz have gotten him onstage and in the studio with everyone from Sly Stone and Etta James to Tower Of Power and Mickey Hart, but it’s Bobby’s jaw-dropping plectrum prowess that has made it ever so uncool to not rock funky 16ths with a pick in 2017. He wrote the novel The Music Lesson: A … On upright, his 1996 return home from L.A. culminated in top playing and teaching stints and his fixture role in Wayne Shorter’s quartet. His willingness to explore all elements of bass playing—from free jazz to bop to down-home gospel blues—secures Mingus’ place in bass history. The gritty tone of this bassline only enhanced its snappy, fast-fingered qualities, and it’s energising just keeping up with the many changes the line goes through as the song changes form. Bath In this article, we listed the best bass guitar songs of all time. Slapped notes on a bass sound more prominent than the conventional bass playing technique with fingers. Fender 351 Shape Graphic Picks (12 Pack) for electric guitar, acoustic guitar, mandolin, and bass, 351 - Medium, Multicolor (Checker) 4.8 out of 5 stars 1,900 $3.79 - $14.59 Eddie Gomez joined the Bill Evans Trio in 1966 and took jazz bass technique to a new level, expanding on Scott LaFaro’s style. New York City-born Anthony Jackson is one of the most important bassists in history, with an uncompromising approach to his art. The songwriter/bandleader—best known for her go-go-influenced grooves and back-pickup sound on a Jazz Bass or signature Reverend— is reliably strong and undeniably stanky, whether on her own or with luminaries like Herbie Hancock and Chaka Khan. His work with Yo-Yo Ma, Béla Fleck, Chris Thile, and James Taylor has solidified his place as one of the greatest upright bassists of all time. Visit our corporate site. Rarely do bassists achieve such universal acclaim. Book them through GigSalad and be covered by our 100% awesome guarantee! He connected with D’Angelo and sat way back in the pocket, setting the standard for neo-soul and hip-hop bottom. Moving to a flatwound-strung Fender Precision and a fingerstyle technique rife with thumb-plucks, he connected with D’Angelo and sat way back in the pocket, setting the standard for neo-soul and hip-hop bottom. As Funk Brother #1 in Motown’s 'Snake Pit,' Jamerson customized his approach to fit the style of each artist he cut with, including Stevie Wonder, Marvin Gaye, Diana Ross & the Supremes, Smokey Robinson, the Four Tops, the Temptations, and the Jackson 5—resulting in such masterworks as Bernadette, I Was Made to Love Her, I’m Wondering, and What’s Going On. Who could forget the ultra-catchy subhook under Silly Love Songs (1976)? His ebullient walking, swinging eighth-note solos, and arco mastery puts Chambers on the top among hard boppers. Bass Player: Björn Yttling This is bordering into the indie pop territory but its an awesome tune. Charlie Haden (1937–2014) told his story with few notes. Highlights from the bearded bass master’s incredible L.A. session reign from the late-’60s to still-going-strong: His melody-first, singer/songwriter-template bass lines with James Taylor. Let’s get into it! Bradman, Jonathan Herrera, Karl Coryat, and Jon D’Auria; former editors Jim Roberts, Richard Johnston, Bill Leigh, and Brian Fox; and longtime contributors Ed Friedland, John Goldsby, Freddy Villano, and Rick Suchow. And not just with reggae artists: His Fender, Höfner, Steinberger, and Paul Reed Smith basses, always with flats, have done wonders for folks like Bob Dylan, Paul McCartney, and Sinead O’Connor, too. Consider this gem from Joy Division/New Order bassist Peter Hook, when writer Thomas Wictor asked him how he felt about being considered influential: “How are you supposed to feel about something like that? Bass Player Staff King’s Live and Well) laid the template for Rocco, Jaco, and other 16th-note masters. Talas opened for Van Halen in 1980, leading Sheehan to join David Lee Roth’s band and advance his groundbreaking techniques on a global stage. He got his start at age 15 in the house band of Jazzhus Montmartre in Copenhagen, later working with American jazzers Sonny Rollins, Ben Webster, and Oscar Peterson. See more ideas about bass player, bass, bass guitar. On the electric side, his James Brown informed, groove-refining bass guitar playing has helped bridge the two instruments while inspiring countless bassists to double. Among the second wave of L.A. session bassists, none was more original and innovative than Mexico City-born Laboriel, whose radical fingerstyle, slap, and two-handed techniques found their way into mainstream film and TV scores, and landmark recordings by Michael Jackson, Lionel Richie, Quincy Jones, Clint Black, Andráe Crouch, George Benson, Paul Simon, and Donald Fagen. His virtuosic chops and heartfelt delivery have influenced every modern jazz musician. The quintet recorded many landmark albums, including Seven Steps to Heaven, Miles Smiles, and Live at the Plugged Nickel. Extended sizes from XS-5XL. Later Beatles bass masterpieces include the bouncy, sliding subhook on Dear Prudence” (1968) and She Came in Through the Bathroom Window (’69), which goes from stately in the first verse to funky and syncopated in the second. And, in the context of their era, how impressive was their technical prowess? 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